After more than ten years the central figures of a Neapolitan nativity are once again on display in Palma. The restoration cost around €400,000; opening tonight at 7 p.m. with a concert, exhibition open until January 6.
Historic Nativity Returns to Palma: Restored Figures on Display Today
Mary, Joseph, the Christ child and five Baroque angels exhibited in La Sang after extensive restoration
From this evening there is a small but fine return to Advent in Palma: the Neapolitan nativity, whose central figures have not been publicly visible for over a decade, is once again on display in the Iglesia de la Sang. The presentation will be opened with a concert at 7:00 p.m.; the figures will remain on view in the church until January 6.
The return is the result of extensive restoration work financed by the island council of Mallorca. The most important statues — Mary, Joseph, the Christ child and five Baroque angels — were conserved and retouched over the course of months. According to the information provided, the work amounted to around €400,000. The result: delicate color nuances, mended cracks and loose gilding have been carefully stabilized without removing the traces of time from the historic character.
Anyone walking through Palma’s old town on a winter evening knows the special shimmer of the street lamps in the breath of sea air. The crèche in La Sang is exactly such a piece of everyday life that for many families and visitors is a symbol of the season. The soft murmur of tourists, the clatter of coffee cups from the cafés around the church and the lanterns casting shadows over the cobbles — all this makes the scene more accessible to viewers: the figures feel less like museum pieces and more like living memories.
It is important to note: these are central, historic figures of Neapolitan sculpture from the Baroque repertoire. Such nativity scenes are not only religious depictions but also testimonies to traditional craftsmanship — with fine carving, paint layers and gold leaf that require special care. The restoration aims to preserve this balance: conserve without smoothing away authenticity.
For Palma the return of the crèche has several facets: culturally, it means that an old piece of city tradition becomes visible again. For visitor numbers in the run-up to Christmas it is an additional attraction that draws locals as well as guests spending the holidays on the island. Finally, the reopening is also a practical signal: monument conservation in the Balearics is given space here instead of fading away in storage.
A small everyday scene: in the afternoon you can see elderly women heading to a bench with shopping bags in front of the church, young people in warm coats posing for photos, and a street musician playing quieter Christmas songs. Such observations show how art returns to the city's rhythm — gently, with respect for age and use.
What remains to be done? The work of the restorers is visible; what remains invisible are long-term measures: appropriate climate control, regular checks of the wooden material and a clear exhibition maintenance plan that brings human proximity and protection together. Visitors should take the opportunity to see the crèche now — but also be aware that conservation work requires ongoing care.
The exhibition runs until January 6 in the Iglesia de la Sang in Palma. Tonight's opening concert at 7:00 p.m. marks the start; afterwards the crèche is accessible during the church's opening hours. So if you plan an evening walk, you will find here a quiet, craft-wise impressive scene of the Christmas season — a reminder that cultural work takes time, money and patience.
In short: After more than ten years the central figures of a Neapolitan crèche are publicly visible again; restoration funded by the island council with around €400,000; exhibition in La Sang from today, opening concert at 7:00 p.m., on view until January 6.
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