
The Phantom of the Opera live at the Auditorium for the first time: Palma welcomes a major musical
The Phantom of the Opera live at the Auditorium for the first time: Palma welcomes a major musical
From February 27 to March 8 Andrew Lloyd Webber's classic arrives at Auditorium Palma. A large production, an international cast and a cultural event that breathes life into the city during the off-season.
The Phantom of the Opera live at the Auditorium: Palma welcomes a major musical
From February 27 to March 8 – West End glamour meets a Mediterranean stage
If you stroll along the Passeig Mallorca on a late February evening, you can often already smell from the harbor the mix of coffee, sea and wet asphalt. This time there is also a touch of stage fright in the air: from February 27 to March 8 Andrew Lloyd Webber's musical classic The Phantom of the Opera will be on the program at Auditorium Palma – the first time this production plays in Palma, as covered in The Phantom of the Opera Comes to Palma: Musical Classic at the Auditori.
The cast brings familiar faces: Daniel Diges takes on the role of Erik, the mysterious Phantom, and Ana San Martín portrays Christine Daaé. Rubén López is ready as the rival. The music that many know from the radio or film clips will sound live in the hall – ballads and dramatic numbers that will carry the atmosphere of an old Parisian opera to Mallorca.
People who live here feel the small but fine excitement. In front of the Auditorio you can see people with programs in the afternoon, middle-aged couples, groups of students chatting, and a few tourists surprised by the evening program. Cafés nearby fill up earlier than usual; waiters carry trays through the streets, and taxi drivers plan shifts around the performances.
Why is this good for the island? A production of this scale draws an audience that might not have thought of Palma as a musical destination. Hotels and restaurants benefit from extra evenings in the shoulder season, artists and technicians find temporary work, and locals can experience a large professionally produced show without having to travel to Barcelona or Madrid.
The story itself has traveled a long way: originally based on an early French source, Andrew Lloyd Webber later turned it into a global stage success. Worldwide figures point to high audience numbers and many cities that have hosted the musical – a sign of how well the piece meets audience expectations. On the Palma stage, the production will pick up the familiar motifs and translate them into an atmosphere that is likely to take on a Mediterranean color here.
For musicians and actors from the region, meeting an international production is often useful: workshops and encounters on the sidelines, technical cooperation backstage and simply observing a large production provide learning experiences that are otherwise hard to access. It also brings new impulses to young theater fans: when children and teenagers imitate scenes after a show in Calle de Sant Miquel, that is a small cultural echo that remains; the Auditori also stages other evenings that explore late-romantic and impressionistic colors, such as Impressionistic Season Opening at the Auditorium: Color, Sound and Late Romanticism.
Practically speaking: those who want tickets should not hesitate too long, because a well-known musical fills halls quickly. Arriving early in front of the Auditorio is worth it: sunset over the cathedral, the last tram along the Passeig, the sound of voices humming the melodies once more. The performance is an occasion to experience the city at night, a piece of culture as a common meeting point.
And for those still undecided: an evening with a large orchestra, powerful voices and opulent staging can bring surprising pleasure – even to those who rarely go to musicals, as do Auditori programs that highlight orchestral force like Concert tip: Timpani storm and orchestral pride at the Auditori. For Palma it is a small cultural festival in the shoulder season, a moment when the island shows it offers more than sun and beach: it has stages, people hungry for music and spaces where stories are told loud and live.
After the curtain falls life on Mallorca continues: the streetlights glow, taxis roll away, and somewhere in a bar the scene will be discussed long into the night. That is the nicest part of such evenings – the conversation, the exchange, the continued humming of melodies on the way home.
Read, researched, and newly interpreted for you: Source
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